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Dance of the Drunkards

Soren Parmo

10.055,00 (Incl. local VAT 10.055,00)

Sold by: Soren Parmo, Denmark
Artwork: Painting
Completed: Unknown
Dimensions: 78 × 98 cm

Original title: Dance of the Drunkards, you give them one hand they capture your whole body

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Description

The “Dance of the Drunkards” by Søren Parmo at Bearte Gallery. Contemporary Art. At BeArte Gallery you can buy this artwork online directly from the artist.

Søren’s composition at the painting is interesting because he simply intersects and goes against all current guidelines. But this effect works in his favor as his art shows how great he is as an artist. The composition gives us a double picture and therefore all the effects are prominent.

“Dance of the Drunkards” is a beautiful painting of Søren Parmo, where the colors again get the greatest significance. This is the art in naive avantgarde and abstract styles that is served with humor.

Naiv avantgarde with explosive colors and lines. The creativity of the artist is in every brush stroke.

Due to the differences in screen quality, the colors in the images may vary slightly compared to the originals.

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Dimensions 78 × 98 cm

Soren Parmo

Søren Parmo (1966-), the boy from Ribe, who ended up as the painter from Måløv. In fact, it is better to use the word “artist”, because, for the most of the Søren’s glorious career, he has never seen limitations in his art, he dealt with various things, anything where his art can be transferred, from the traditional canvases to something that a joiner can put together, like window sections, drawers, wardrobes for dining tables, and even aluminum biscuits baking tins, in 100,000 copies have been adorned by Søren’s colorful lines, for example the “Lucky Troll”, who with his big smile and widespread arms collect funds for the Cancer Fight.
Søren, like most artists, is not happy about being placed into artistic “stall”, and although we may find that he gets inspiration from the Danish brothers Asgar Jorn and Jørgen Nash, as well as the French painter and sculptor Fernand Léger, at the same time we can quickly find that style and thoughts in the works of Søren are different from what the great artists originally produced in their artistic approach. Shall we make a preaching to Søren’s art, or is it best to stay naive in the avant-garde. For the strings of the Søren’s art, the reality often serves in a humorous and naive way. But not as naive as in the child’s perception, more like a serious interpretation of the word, where the reality is at times of high-speed pace and personality is set to a level where it actually belongs.
We promise not to put Søren in any frames and just hope that his freedom depicted in his beloved style similar to “a free bird” will produce many more great works of art; on canvases, in sculpture or elsewhere he may wish to enrich.

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