Geese and Flora

Soren Parmo

4.291,00 (Incl. local VAT 4.291,00)

Sold by: Soren Parmo, Denmark
Completed: 2017
Dimensions: 110 × 100 cm

Original title: Gæs eller Flora

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Description

The “Geese and Flora” by Søren Parmo at Bearte Gallery. Contemporary Art. At BeArte Gallery you can buy this artwork online directly from the artist.

This is the art in naive avantgarde and abstract styles that is served with humor.

Søren’s composition at the painting is interesting because he simply intersects and goes against all current guidelines. But this effect works in his favor as his art shows how great he is as an artist. The composition gives us a double picture and therefore all the effects are prominent.

“Geese and Flora” is a beautiful painting of Søren Parmo, where the colors again get the greatest significance. Most importantly, watch the mixtures of both the yellow color and the orange. They almost scream out of the canvas and become an amazing contrast to the green and blue colors.

Due to the differences in screen quality, the colors in the images may vary slightly compared to the originals.

 

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Dimensions110 × 100 cm

Soren Parmo

Søren Parmo (1966-), the boy from Ribe, who ended up as the painter from Måløv. In fact, it is better to use the word “artist”, because, for the most of the Søren’s glorious career, he has never seen limitations in his art, he dealt with various things, anything where his art can be transferred, from the traditional canvases to something that a joiner can put together, like window sections, drawers, wardrobes for dining tables, and even aluminum biscuits baking tins, in 100,000 copies have been adorned by Søren’s colorful lines, for example the “Lucky Troll”, who with his big smile and widespread arms collect funds for the Cancer Fight.
Søren, like most artists, is not happy about being placed into artistic “stall”, and although we may find that he gets inspiration from the Danish brothers Asgar Jorn and Jørgen Nash, as well as the French painter and sculptor Fernand Léger, at the same time we can quickly find that style and thoughts in the works of Søren are different from what the great artists originally produced in their artistic approach. Shall we make a preaching to Søren’s art, or is it best to stay naive in the avant-garde. For the strings of the Søren’s art, the reality often serves in a humorous and naive way. But not as naive as in the child’s perception, more like a serious interpretation of the word, where the reality is at times of high-speed pace and personality is set to a level where it actually belongs.
We promise not to put Søren in any frames and just hope that his freedom depicted in his beloved style similar to “a free bird” will produce many more great works of art; on canvases, in sculpture or elsewhere he may wish to enrich.

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