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Who the Hell is Carl-Henning?

Soren ParmoSoren Parmo Contact the Artist

Sold by: Soren Parmo, Denmark
Paintings, 2008, 130 × 195 cm

Original title: Hvem faen er Carl-Henning?


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“Who the Hell is Carl-Henning?” by Søren Parmo at Bearte Gallery. Contemporary Art. At BeArte Gallery you can buy this artwork online directly from the artist.

Søren’s composition at the painting is interesting because he simply intersects and goes against all current guidelines. But this effect works in his favor as his art shows how great he is as an artist. The composition gives us a double picture and therefore all the effects are prominent.

Søren Parmo has often been inspired by and attracted to the great Danish artists, such as Carl Henning Pedersen. Perhaps because he, like no one else, has felt the same rebellion against the rigid and established society, while having the same deep passion for working with the colors and giving them life. Naive avantgarde or an extension of the Cobra art? There is so much more to find in Søren’s honest works of art. It’s a true childishness, innocence’s, which contrasts strongly to his eminent work with colors. It is warmth, smile and raw power that meets us in this work, which unfortunately is one of the last of the time before new inspiration created new wonderful artworks.

“Who the Hell is Carl-Henning?” is a beautiful painting of Søren Parmo, where the colors again get the greatest significance. This is the art in naive avantgarde and abstract styles that is served with humor.

Due to the differences in screen quality, the colors in the images may vary slightly compared to the originals.

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Dimensions 130 × 195 cm

Soren Parmo

Søren Parmo (1966-), the boy from Ribe, who ended up as the painter from Måløv. In fact, it is better to use the word “artist”, because, for the most of the Søren’s glorious career, he has never seen limitations in his art, he dealt with various things, anything where his art can be transferred, from the traditional canvases to something that a joiner can put together, like window sections, drawers, wardrobes for dining tables, and even aluminum biscuits baking tins, in 100,000 copies have been adorned by Søren’s colorful lines, for example the “Lucky Troll”, who with his big smile and widespread arms collect funds for the Cancer Fight.
Søren, like most artists, is not happy about being placed into artistic “stall”, and although we may find that he gets inspiration from the Danish brothers Asgar Jorn and Jørgen Nash, as well as the French painter and sculptor Fernand Léger, at the same time we can quickly find that style and thoughts in the works of Søren are different from what the great artists originally produced in their artistic approach. Shall we make a preaching to Søren’s art, or is it best to stay naive in the avant-garde. For the strings of the Søren’s art, the reality often serves in a humorous and naive way. But not as naive as in the child’s perception, more like a serious interpretation of the word, where the reality is at times of high-speed pace and personality is set to a level where it actually belongs.
We promise not to put Søren in any frames and just hope that his freedom depicted in his beloved style similar to “a free bird” will produce many more great works of art; on canvases, in sculpture or elsewhere he may wish to enrich.

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